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Surrealist impulse

Along with the big shows at Tacoma Art Museum — Oasis: Western Dreams of the Ottoman Empire and Don Fels: What is a Trade? — there are a couple of smaller but interesting shows from the permanent collection: The Surrealist Impulse and Speaking Parts (I eliminated the wordy subtitles from

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Pierce at Pierce

In all the years I’ve been reviewing art exhibits, I’ve never reviewed one at Pierce College, mainly because college art galleries are terrible about not notifying the press of their shows. But the new gallery director at Pierce College, Jennifer Olson-Rudinko, who also runs the gallery at Tacoma Community College,

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Pierce at Pierce

In all the years I’ve been reviewing art exhibits, I’ve never reviewed one at Pierce College, mainly because college art galleries are terrible about not notifying the press of their shows. But the new gallery director at Pierce College, Jennifer Olson-Rudinko, who also runs the gallery at Tacoma Community College,

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Grit and fire

Brick & Mortar Gallery has not gone away; it’s just been on a long hiatus. And gallery owner Laura Hanan has been hard at work on a fascinating series of paintings that she will present at Art Walk today. Talk about Grit City, Hanan has taken photographs of the grittiest of

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Grit and fire

Brick & Mortar Gallery has not gone away; it’s just been on a long hiatus. And gallery owner Laura Hanan has been hard at work on a fascinating series of paintings that she will present at Art Walk today. Talk about Grit City, Hanan has taken photographs of the grittiest of

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Worn and torn

There’s a lot to like in the latest art exhibit at South Puget Sound Community College. Michael Lindenmeyer’s constructions and Dan Meuse’s photographs complement each other well. Lindenmeyer’s constructions are colorful, inventive and humorous; Meuse’s photographs are somber and classical. What they have in common is age — the look

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Worn and torn

There’s a lot to like in the latest art exhibit at South Puget Sound Community College. Michael Lindenmeyer’s constructions and Dan Meuse’s photographs complement each other well. Lindenmeyer’s constructions are colorful, inventive and humorous; Meuse’s photographs are somber and classical. What they have in common is age — the look

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Inaugural show

Listen up, Tacoma. There’s a new gallery in town, and it’s the real deal. It doesn’t look like much from the outside, a nondescript warehouse on the corner of Fawcett and 25th Avenue. But inside it’s big and bright with four major gallery spaces plus a whole bunch of alcoves

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Inaugural show

Listen up, Tacoma. There’s a new gallery in town, and it’s the real deal. It doesn’t look like much from the outside, a nondescript warehouse on the corner of Fawcett and 25th Avenue. But inside it’s big and bright with four major gallery spaces plus a whole bunch of alcoves

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Looking and seeing

Fulcrum Gallery owner Oliver Doriss says the latest gallery exhibition, Observations & Perceptions, is his first show “incorporating social and political commentary.” He goes on to say, “I was apprehensive going into it” — particularly apprehensive about Jeremy Gregory’s installation with portraits of sex offenders and a spoken word piece

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Looking and seeing

Fulcrum Gallery owner Oliver Doriss says the latest gallery exhibition, Observations & Perceptions, is his first show “incorporating social and political commentary.” He goes on to say, “I was apprehensive going into it” — particularly apprehensive about Jeremy Gregory’s installation with portraits of sex offenders and a spoken word piece

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Bollywood West

Among the many exhibitions now showing at Tacoma Art Museum is one that may sound weird but that is filled with knockout images. It’s called What Is a Trade? Donald Fels and Signboard Painters of South India. In 2005 Fels traveled to India to work with commercial signboard painters on a

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Bollywood West

Among the many exhibitions now showing at Tacoma Art Museum is one that may sound weird but that is filled with knockout images. It’s called What Is a Trade? Donald Fels and Signboard Painters of South India.    In 2005 Fels traveled to India to work with commercial signboard painters on a

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Art at Work Month

Like most truly creative people, Carlos Taylor-Swanson wears many hats. I know him as the owner of Gallery Madera and Madera Fine Decorative Furnishings. He is also a fine woodworker and one of 61 artists taking part in the seventh annual Art at Work studio tours. Did you even know

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Art at Work Month

Like most truly creative people, Carlos Taylor-Swanson wears many hats. I know him as the owner of Gallery Madera and Madera Fine Decorative Furnishings. He is also a fine woodworker and one of 61 artists taking part in the seventh annual Art at Work studio tours. Did you even know

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Recycled re-ART

Art from recycled materials is nothing new. Picasso and Braque were doing it before most of us were born. But today it is done with a more direct emphasis on environmental stewardship. Gallery Madera has jumped on this bandwagon with re-ART ’08, a juried exhibition of art from recycled materials

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Recycled re-ART

Art from recycled materials is nothing new. Picasso and Braque were doing it before most of us were born. But today it is done with a more direct emphasis on environmental stewardship. Gallery Madera has jumped on this bandwagon with re-ART ’08, a juried exhibition of art from recycled materials

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Minimalist abstract

Daniel Clayman’s minimalist abstract sculptures have been compared to the works of Martin Puryear and Tony Cragg. To me his work looks a lot like a sculpture by Donald Judd, especially in its clarity and what I can only call its “is-ness,” a kind of undeniable presence. Plus it has

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Minimalist abstract

Daniel Clayman’s minimalist abstract sculptures have been compared to the works of Martin Puryear and Tony Cragg. To me his work looks a lot like a sculpture by Donald Judd, especially in its clarity and what I can only call its “is-ness,” a kind of undeniable presence. Plus it has

Olympia Arts Walk

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Olympia Arts Walk

I remember the very first Olympia Arts Walk. It was 37 walks ago, which would have been around 1991 or ’92, back when they called it Art Walk and it happened only once a year. During one of those earliest events a fellow artist — I think it was Tucker

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