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Through March 13: "Monument"

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Through March 13: "Monument"

There are two Troy Gua shows at Fulcrum. The title show, Monument: A Memorial to Loss is installed in the small room to the left as you enter the gallery. Created especially for this exhibition, it is Gua's sober commentary on the loss of life and limb in the

Inside outsider

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Inside outsider

Steven Suski's paintings in his solo exhibition at South Puget Sound Community College have the look of outsider art. Outsider is a label generally applied to self-taught and/or mentally ill artists. To the best of my knowledge, Suski is not mentally ill, and I don't know what kind of training

What fun!

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What fun!

The Kids Design Glass exhibition at Museum of Glass should not be reviewed in any critical way. It should, however, be applauded with gusto. This is a delightful show and a wonderful program. Sponsored by KeyBank /Key Foundation and the Muckleshoot Charity Fund, the program invites children 12 and younger

Impressions of impressions

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Impressions of impressions

To most Americans impressionist art means the art of a small group of late 19th century French artists. But an expanded definition of the movement includes earlier and later works, plus art from other parts of Europe and even America. The Movement of Impressionism: Europe, America, and the Northwest at

Old and new

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Old and new

I begin my recommendations of art shows for the New Year with a reminder of a couple of ongoing shows at Tacoma Art Museum and Museum of Glass. The Movement of Impressionism: Europe, America, and the Northwest continues at TAM. The exhibition features artwork by many well-known French impressionists including

Luminescene

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Luminescene

Pastel gets a bum rap. It’s thought of as soft, a media for hobby artists more than for the real deal — associated with lightweight landscapes and figures in a traditional or pseudo-impressionist style. About the only heavyweight artist who ever worked extensively with pastel was Edward Degas. The

Luzon memorial

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Luzon memorial

Claudia Riedener and other Tacoma artists decided they weren’t going to take it lying down when the city tore down the historic Luzon building on Pacific Avenue. They could not stop the demolition, but they wanted to make sure we remember and, hopefully, prevent the demolition of other landmarks in

Incomplet_

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Incomplet_

I had a nice chat with Tim Kapler at The Swiss Thursday afternoon and took a long look at his drawings, which will be on display throughout the month. Kapler is a young man who is pretty much self-taught and just starting out as an artist. He said he doodles

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Tentative and sketchy

I was not exactly thrilled by the faculty art exhibit at South Puget Sound Community College. That’s not to say it’s not worth seeing. There are some very nice stoneware pots by Colleen Gallagher, Jane Stone and others, and some interesting mixed-media drawings by Carol Hannum. But overall the quality

Rags to riches to rags

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Rags to riches to rags

Jo Gallaugher busted ass to get rich and live the good life of a high-salaried CEO. She pulled herself up from a small town high school dropout and single mother of two to become a successful businesswoman living in a fancy house on a golf course in California.

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Elek and CUD

The latest show at Traver Gallery in Tacoma is a double whammy featuring relative newcomer to the Seattle glass art scene Jen Elek and a couple of old-timers, Robbie Miller and John Drury working collaboratively under the name CUD, which they say comes from what a cow chews and refers

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Mother and daughter

With classical forms and an almost revolutionary approach to media, Jill Nordfors Clark has become synonymous with Northwest basketry. Her work can be seen alongside drawings and prints by her daughter, Erica Nordfords Applewhite, in a new show at The Sandpiper Gallery in Old Town. Clark is well established

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Really big show

A Concise History of Northwest Art is a big, big, big show — parts of which should appeal to everyone since it has photography, painting, sculpture, jewelry, glass and ceramics covering Northwest art history since the 19th century, including art from Washington, Oregon, Idaho, Montana and even British Columbia and

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Hot damn!

Titles usually need to be short. Otherwise it should be called Art at Work and at Home and Where You Play Month.  Art is everywhere in T-town for the month of November. Visual and performing art, parties, lectures, readings, exhibitions, Art Slam, classes and workshops, studio tours. And it all

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Vital Signs

I was knocked right out of my socks when I walked into the Joe Feddersen retrospective exhibition at Tacoma Art Museum. The first thing to catch my eye — and how could it not — was a monstrous wall-size print of multiple overlapping zig-zag patterns in brilliant colors and textures

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Better art

Kathy Gore Fuss was an established artist long before going back to college to get her BFA in drawing and painting from the University of Washington. This after 30 years as a working artist and after the tragic loss of her husband in 2004. Already an inventive risk taker with

Better art

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Better art

Kathy Gore Fuss was an established artist long before going back to college to get her BFA in drawing and painting from the University of Washington. This after 30 years as a working artist and after the tragic loss of her husband in 2004. Already an inventive risk taker with

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Matter matters

An exciting new gallery opened in Olympia with an opening showing of 60 artists — most but not all from the South Sound area — “featuring artworks that incorporate recycled, reclaimed, and responsibly harvested materials,” according to a statement by gallery owner Jo Gallaugher. The name is Matter. It’s

Matter matters

Visual Edge

Matter matters

An exciting new gallery opened in Olympia with an opening showing of 60 artists —most but not all from the South Sound area — “featuring artworks that incorporate recycled, reclaimed, and responsibly harvested materials,” according to a statement by gallery owner Jo Gallaugher. The name is Matter. It’s on

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Hairy Who?

We were called hippies and yippies and freaks and weirdoes back in the 1960s, and there were artists who uniquely spoke for us in underground newspapers and comic books. Zap Comics, Robert Crumb, The Fabulous Furry Freak Brothers, and the granddaddy of them all, Mad magazine. When Pop Art arrived

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